A French writer bought Free Your Inner Nonfiction Writer and wasn’t sure what I meant by a “fieldstone.” He couldn’t find a translation that made sense to him. In Weinberg on Writing, Jerry explained fieldstones as a way to build a piece of writing, just like masons used blocks to build stone walls. The more […]
It must be the season for “research” on social networks. Just this past week, I received several requests to share my stories with researchers—as if my experience was research. Some of these researchers are graduate students. Others are consultants. All of them share these goals: They want to write a substantial document, incorporating their research.
Many nonfiction writers start books with outlines. I’m not big on outlines because they shortcut the writer’s thinking. (Nonfiction writers think and learn as they write.) However, some writers go off on tangents without outlines. Or, some writers (raises hand) are prone to put everything she ever learned about this topic into one book. Either
When I published Writing Secret 9: Keep Your Writing Clean As You Write, the feedback surprised me. Many of my fellow nonfiction writers write a lot before they get internal feedback. That might be right for them. It’s not right for me. I finally understood why I write differently. I think of each iteration as
Some writers suggest you write sloppy, “vomiting” the words onto the page. They think all writers need to start with “shitty first drafts.” But sloppy writing means you need several drafts to clean up the sloppiness. To me, that’s like waiting until the end of coding to write and run any tests at all. (Been
If you, as I, write frequently, you might wonder where is the “best” place to publish your writing. You might think social media, especially Medium or LinkedIn, is the “best” in terms of eyeballs. (That’s people to the rest of us.) That’s possible the day, or maybe the week, you publish the piece. That’s because
Writers have a problem product development teams don’t have: Imposter Syndrome. That’s when you think you’re a fraud. Even though you have experience and expertise. Fear drives Imposter Syndrome. Too often, writers let the fear win. You don’t have to succumb to that fear—you can fool that fear with writing. The more you write and
When we speak, we often use shortcuts, jargon, and cleverness to get our points across. If we confuse anyone in the audience, we can explain what we’re thinking in the moment. However, when we write, all that cleverness doesn’t always help our ideal reader understand. Sometimes, we alienate or confuse our ideal readers with our
If you’ve ever tried to write nonfiction, you probably encountered these problems: Your readers only understood what you wrote. Not what you meant to write. Only some readers got value from your pieces, not everyone. The writing you ended up with at the end might have looked very different from the piece you started with.
You have some terrific experience in your team, such as pairing, and you decide it’s time to write about it. And you have a problem. The developers and testers need one perspective, coaches need a different perspective, and managers need a third perspective. What do you do? Choose one ideal reader and write a piece